
In my mind U2 has always been a band unafraid to explore the fine line between explosive and a bomb, and it appears they've continued that trend with the their new album released November 23, 2004. The album
How to Dismantle an Atomic Bomb, which I spent the better part of the day thinking about HOW and WHEN I would obtain, has 11 tracks runs 49 minutes and 10 seconds. Although I bought the simple, Best Buy $9.99, it also comes in a "special edition" format with a DVD and pre-loaded on a "special edition" i-pod both of which I felt were not cost-effective for my purposes.
So, my first impression is... pretty good. This is an album that I just HAD to have because, YEAH, I'm a HUGE fan. That said, I'd read in a few reviews that the Edge steals the show and let me confirm that, YES, he pretty much does. He does some wickedly creative stuff and even has a solo on one of the most "rocked up" U2 tracks I've ever heard (Track 6 -
All Because of You) He carries the album from one creative moment to another. The guitars on Track 9,
One Step Closer, remind me vaguely of
The Joshua Tree, although I feel the lyrics are more ethereal and less innocent. Still, Bono is emotive as ever.
Maybe too much so. I have to admit I found myself agreeing with my sister on a few of the tracks when she proclaimed, "He is just so whiny sometimes!" Bono does drip and drone pathetically sometimes, but he is bearable here. I've had a lot of conversations lately about the band having "sold out" with their i-pod adds, but honestly the album doesn't warrant the criticism. (Plus I heard they didn't get any money from the commercials; they just believe online music exchange IS the future.)
Vertigo starts things off very strong, and the second track
Miracle Drug is also impressive. I think track 5
City of Blinding Lights (with the Edge's signature delay) and track 10 -
Original of the Species have particular promise. With a title like that (...Species) followed by a song called Yahweh, it makes you wonder if Bono has been supplementing his Bible reading with a little bit of Darwin on the side.
Overall, the band seems to fuse influences ranging from their
War and
Achtung Baby days to current musical trends and formulate 11 fresh new songs that really seem to work. I'm not sure that the album has the commercial viability that some
critics are saying, nor that the band will win many new fans with the album, but they'll go a long way to please their faithful - and with a faithful audience as large as their's, well let's just say you're guaranteed to make a few hundred million off of album sales. Regardless, I respect the band, and am sure that like all of their albums that I have purchased, it will grow on me with each subsequent listen.